How to describe places: my research technique
My first visit to Iceland was going to be very different from the book tour in 1995. This time I had to build up a store of the impressions, the feelings, the sounds, the smell and the little details to fuel my writing of the first draft of my novel over a six-month period. Research Technique I had researched many settings for my previous novels — Fife, Brazil, Massachusetts, Prague, Clerkenwell, the Cote d’Azur, Wyoming, South Africa and 1930s Berlin — so I knew what I was doing, but I was daunted. Before, most of my characters had been flying in and out of places. This time Magnus and my characters were stuck in Iceland for at least three books, maybe more. I had better get it right. Over the years, I have developed and refined a method for gathering information on locations for my books. I wander around with a tape recorder, a camera and a notebook, my eyes and ears on high alert, taking note of anything I see or hear that might be useful. I use the tape recorder most, muttering in...